August 28, 2026

Credits

This page is a study, not an official Midwam case, and not my original artwork.

• Midwam
• Immersive Garden
• 60fps, Aura production
• Bruno Simon / Three.js Journey

Many models, textures, camera clips, and sounds used in the overlay are not mine. They were studied from files the original frontend makes public. I will take them down if a rights holder asks. Related essay: Inmersive experiences development Jorney

Why this exists

Around 2021 Midwam changed how I think about websites: not a page you read, a space you move through. I wanted to know if I could stand up a similar cinematic setup. This work is that evaluation, focused on the human, not a product catalog.

What the public files show

The overlay is a deconstruction of techniques that are visible once you look at the served bundle (GLB clips, section timelines, materials):

• The human is the narrative object. Camera motion is not free orbit. It is authored.
• camera.glb stores paired clips (step_cam / step_target). Scroll steps through those cuts.
• A goto timeline per section drives lights, materials, and the spinner.
• Human shaders: rotating environment map, chest glow, flow or veins, rim light, heart.
• Hold or long-press intensifies the look (the Midwam case describes the same kind of hold).
• Post (vignette, chromatic shift) and the spinning-top motif sit around the figure.
• Layout numbers in the laboratory match the public human scale, not a redesign.

Enter from the cover. Scroll or swipe to move. Escape or the close control to leave. Text on this page and the overlay captions can be selected. The canvas cannot.